Each approach, while different enough from another to feel authentic to the experience, isn’t restrictive in the least. With much of the game revolving around the killing of Nazis, developer MachineGames patched the road less traveled, offering various playstyles that can be employed without consequence. Of course, walking out of detention unscathed is a breeze for a man who’s coma hasn’t deteriorated a sliver of his physical condition, and in a seemingly stronger than every fashion - and much like the classic titles of yesteryear would have it - there’s no name taking as you reach the bits-and-pieces of resistance that remain in existence. You need to escape, and that’s essentially the long and short of your objective. Once the prologue runs its course, things pick up in a mental institution. There’s only a grunt, and some grungy whispers about destroying Nazis.

There’s no painful recollection, insightful realization or character moment in which an emotional roller coaster rushes through the story. And so it did.įrom the very onset of Wolfenstein: The New Order, it’s clear that Blazkowicz is, without a semblance of doubt, a 90’s video game character. There’s a turret involved, some bombastic progress and a handful of mini-victories, but enough shrapnel in the face will drive even the grittiest, manliest, most absolute Nazi-killin’ machine into a 14 year mental slumber. Blazkowicz isn’t in the business of bowing to the Third Reich, and decides to assault their base of operations despite impossible odds. Naturally, and in a typical 80’s action flick manner, brick-wall hero B. There’s no slowing down the Nazi regime from pushing through Allied forces, and despite one hell of a fight, they’re no match for the world’s most advanced technology. The year is 1946, and the Fuhrer is dead.

Wolfenstein the new order armor upgrade